#I am gangster 2016 how to
#I am gangster 2016 series

Holleeder typically dresses in black, but if she suspects she’s being followed she may duck into a bathroom and emerge in a wig and a red dress. When she moves through Amsterdam, she does so in secret, and sometimes in disguise: she has a collection of fake noses and teeth. Today, she arranges furtive visits with a small circle of friends, but otherwise stays mostly at home. Fortunately for Holleeder (which is pronounced “Hol- lay-der”), she guarded her privacy even before her life became threatened, and no photographs of her as an adult can be found on the Internet. Then the light changes, and she exhales and keeps moving.Īmsterdam, a city of fewer than a million people, is a difficult place to stage your own disappearance, particularly if you grew up there. Whenever she stops at a red light and an unfamiliar vehicle sharks up alongside her, she clutches the wheel, her heart hammering. She thinks a lot about how she might be assassinated, gaming out fatal scenarios. She bought the car used, for fifteen thousand euros. She prefers buildings with basement parking, in order to minimize her exposure during the brief transit to a bulletproof car.

#I am gangster 2016 series

For the past two years, she has lived in a series of furnished safe houses. Nihilism may be the most fitting attitude in one of these instances, but it is jarring in the others - especially in a film whose interwoven structure suggests an intention to make sense of a world outsiders don’t understand.This content can also be viewed on the site it originates from.Īstrid Holleeder has arresting eyes-they are swimming-pool blue-but that’s all I can reveal about her appearance, because she is in hiding, an exile in her own city, which is Amsterdam.

But the screenplay fumbles some attempts to tie things together, offering abrupt moments of violence whose motivations we feel we ought to understand but don’t. The action becomes more familiarly story-driven as the film progresses, especially as we watch Rio’s first encounters with an attractive new student (musician Kelli Wakili, credited here as Kelli Strader). (An abundance of facial tattoos makes the latter job easier.) The quasi-documentary approach suits Rechenberg’s no-frills, realistic dialogue, but doesn’t keep it from growing mundane over the course of the longish pic. He and DP Lyn Moncrief frame scenes tightly with a handheld camera that tags along restlessly for much of the film, we follow behind characters so much that we can identify the backs of their heads more readily than their faces. Instead, Rechenberg focuses on making us feel like we’re silent observers moving within their world.

#I am gangster 2016 how to

Rio, though seemingly smarter than his peers and gentle at heart, goes along too readily with bad-news acquaintances Flores, a new prison guard getting an education from coworkers in how to abuse his authority, puts up no fight that we see when they make him part of their no-snitching brotherhood. Though we see enough of each man’s private life to understand his motivations to some extent - even if we hardly sympathize when Miguel violently pushes for increased stature in his aunt’s crime organization - none offers the kind of viewer-surrogate moral framework most films of this sort provide.